It is with great sadness that we announce the tragic death of artschoolbop. Good while it lasted, always quit at the right time, etc. From now on, thoughts get broken and ideas become increasingly disjointed, art gets better and wine gets worse:
goodartbadwine.blogspot.com In the meantime, this is beautiful:
And with that... Hard to do it one week before Bob Dylan puts out a new album an artist who gave this site its name releases a mini-opera featuring a Mark E. Smith impersonator's caravan holiday ruined by Screwdriver, but what can you do.
Of course it is
ridiculous to even contemplate the idea of compiling a list of the greatest songs ever; but after so
many pointless lists – why the hell not.
At various points in my
life I’ve mentioned each of these ten songs as the best song of all time. As
the saying goes, if you had 10 cents for every song I’ve said is the best ever –
you’d be a millionaire.
To all boring people:
list #13 is very objective.
#10. Spiritualized – “Ladies
And Gentlemen, We’re Floating In Space”
It is sort of silly
to know it, but I do. The greatest three seconds of my music-listening
experience up to this point happened when the lights went off and a woman’s
voice said “Ladies and gentlemen, we’re floating in space”… Icy yet somehow
deeply affecting. Then the music began. Dublin Concert Hall. Spiritualized
I know “Broken Heart”
can move you to tears and “Come Together” will give you an erection, but Christ
almighty – this was the moment that negated everything else. And I do mean everything.
#9. Television – “Venus”
Broadway looked so medieval… Television had nothing
to do with punk. Verlaine’s voice, guitar interplay, surreal lyrics – but how
about those backing vocals that get you every time.
#8. Dexys Midnight
Runners – “Burn It Down”
Can you think of a better
start for a debut album than “Burn It Down”? Scratchy radio: “Smoke On The
Water”, “Holiday In The Sun”, “Rat’s Race”... Enter the inimitable voice of Kevin
Rowland: Oh for God’s sake, burn it down!
A classic moment.
Then the horn section
kicks in and you know you’ve just found your new favourite band.
#7. Tom Waits – “Falling
Oddly, “Falling Down”
is a studio recording that appeared on Waits’ live album Big Time. Anthemic and gloriously downbeat, this might be the best
way to start your day. Also, I wouldn’t mind if this song was played at my
funeral. No idea how he does it.
#6. The Velvet
Underground – “The Black Angel’s Death Song”
Can’t explain this
either. But then again – this is like falling in love. If you can explain it – it’s bullshit. Reed’s
lyrics make sense only occasionally, but who cares – John Cale’s viola drives
me insane each time the song is on.
Not trying to be
original. And still looking for a person who would agree with me that this is
their best song.
#5. Black Box
Recorder – “The Facts Of Life”
According to Jarvis
Cocker, Luke Haines sabotaged his career by inserting the c-word (Jarvis doesn’t
say the word, the lovely man that he is) into “The Upper Classes”. In a way, “The
Facts Of Life” was also an act of sabotage. But at the opposite end of the
spectrum. Because this actually got Haines into Top Of The Pops.
Heavenly pop music –
made all the more heavenly by the cynicism involved in creating it.
#4. Kate Bush – “Leave
The primordial, bizarre,
out-of-this-world brilliance behind these intensely Protean three minutes shows
that it is perhaps not entirely impossible – to choose a favourite from The Dreaming. I don’t know how this is
not #1, but with this here list – I have to ask myself that question again and again.
#3. The Fall – “Janet,
Johnny & James”
I cried the first
time I heard it. Cried during a Mark E.
Smith song. It’s that good.
I started loving PJ Harvey even more after she said this was one of her favourite songs of all
time. It’s that good.
I wrote a short story
once because I misheard the lyrics of this song. It’s that fucking good.
#2. The Go-Betweens –
“I’m All Right”
Imagine if Lennon and
McCartney were one person. Can you do that? Now add Ray Davies.
Multiply the result by Jagger and Richards. Add Pete Townshend. Throw Dylan
into the mix...
The resulting talent
would still not produce a song as good as “I’m All Right”.
She knows that I'm not ready
When my nerves are steady
When my eyes are free of tears
She doesn't want to hurt me
I'm All right.
Splashing and dashing myself
A sad man
Trying to lift a hundred weight
If I can
When I say I'm available
She doesn't want to hurt me
I'm All right.
She can see that I'm still angry
It's no good
I can see her during the day
I have to earn the night
She doesn't want to see me
I'm All right.
Spirits as in ‘not
ghosts’. Spirits as in ‘any organic compound whose molecule contains one or
more hydroxyl groups attached to a carbon atom’. Spirits as in ‘alcohol’.
Easiest list of all.
Well, surely when it comes to The Pogues or Tom Waits you have options – but otherwise
I didn’t even have to think twice. Each song is taken from a different decade
(well, almost) but each represents a similar level of affection for what
Raymond Chandler once famously compared to love. “The first kiss is magic, the
second is intimate, the third is routine. After that you take the girl’s
In the immortal words of Withnail: We want the finest wines
available to humanity. We want them here and we want them now.
#5. The Divine Comedy
– “A Drinking Song”
Genius. From Promenade, undeniably Neil Hannon’s best
set of songs. This one’s a lyrics video not out of negligence but on purpose.
#4. Okkervil River – “John
Allyn Smith Sails”
This is different.
Will Sheff’s greatest song is not so much about alcohol as about the tragic
death of John Berryman. The “Sloop John B” ending is both heartbreaking and ecstatic.
#3. The Pogues – “Bottle
So many to choose
from. And… never say such things as ‘Flogging Molly’ or ‘Dropkick Murphy’s’ in
polite company. Never.
#2. Tom Waits – “The
Piano Has Been Drinking”
The best idea would
be to listen to the whole of Nighthawks
At Diner, but this, too, captures the mood. No one can romanticize alcohol
as effectively and eloquently as Tom Waits.
#1. The Kinks – “Alcohol”
Left with no choice. Ray
Davies in 1971-72 was all drunken charm. The
Last song on their
self-titled, posthumously released album that I’ve grown to like more than Heartworm. All intensity and
#4. The Waterboys –
“Red Army Blues”
From A Pagan Place. Eight minutes of Mike
Scott’s over-the-top drama. The way he sings “seventeen years old, never kissed
a girl” – you would think he really never did. Priceless.
#3. Kate Bush – “Breathing”
Otherworldly stuff. Lyrically,
vocally, musically – this is among her most powerful and complete creations.
#2. Nick Cave – “Lay
Let Love In is patchy, messy, erratic. It could also be Cave’s
most entertaining album ever. “Lay Me Low” is a blast. Singing this song at the
top of your lungs is one of the biggest joys in the world.