THE DIVINE COMEDY –Promenade (1994)
Best song: “Tonight We Fly”
My introduction to Neil Hannon’s music was through the hugely popular Casanova. But Casanova never really clicked with me – the songs sounded heavy-handed and didn’t have an edge, which made me wary of looking for other records by The Divine Comedy. But then I decided to have another go, and I’m so glad I did. It was the band’s absolutely charming, delicate, melodically brilliant second album, Promenade.
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Promenade does not sound like a simple collection of songs. It’s a journey, a promenade – call it what you will, but it does create its own world. There is no unifying theme here – although quite a lot of these songs seem to deal with water, this way or another. “Neptune’s Daughter”, “Bath”, “A Drinking Song”, a couple of others. But it is not as if you care about any kind of concept here – with songs being that great.
One brief, dramatic epic after another. And then the closing, breathtaking swirl of “Tonight We Fly” brings the whole thing to a halt, and you are left with the realization that you’ve just heard one of the most perfect pop records of all time.
A true classic of chamber, baroque music. What can I say. If you do accept the world Hannon creates here, Promenade will become a truly special record for you. And, quite frankly, I don’t see why one wouldn’t be engulfed in this piece of luxurious, poetic, beguiling beaut.
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