Highlights: Do I Wanna Know?, No. 1 Party Anthem, Why’d You Only
Call Me When You’re High?, I Wanna Be Yours
Just because it’s so
hilariously entertaining, you absolutely have to read this (if you haven’t done
that yet, of course). God knows why they didn’t mention that AM is the best album since Definitely Maybe. Since Revolver. Since ever.

While the first two
songs don’t betray too many changes (still, both were singles for a reason), the shameless falsetto opening “One For The Road” is where you know you are into something
new. The R’n’B influences are all around, and they merge rather effortlessly with the album’s
seductive, pleasantly narcotic sound. Another big asset is Alex’s voice that
oozes lushness, sensual energy and snide confidence. Plus, whether it’s a huge
ballad like “No. 1 Party Anthem” or a catchy 3-minute pop groove like “Why’d
You Only Call Me When You’re High?” (what’s with these question marks anyway?),
the songwriting is consistently strong. Somewhat ironic, then, that the album’s
best song happens to be based on a poem by John
Cooper Clarke. “I Wanna Be Yours” is transformed into an immaculate and
cleverly understated ode to sexual yearning and desire.
I loved the songs and I
loved the production. However, I’m giving it what I’m giving it – because “R U
Mine?” does sound like a faster rewrite of “Do I Wanna Know?”, because rockers
like “I Want It All” don’t really convince me and because I still can’t decide
whether the chorus of “Knee Socks” is infectious in a brilliant or annoying
way. But a great album all the same – from a band you can no longer deny.
8/10
No comments:
Post a Comment