Directed by Drake Doremus
7/10
If this film were a person, it wouldn’t be a very humorous person. It could occasionally crack a decent joke and grind out a half-genuine smile, but overall it would be far too in love with its own voice and its mirror image to bother with something as basic and revealing as humour.
7/10
If this film were a person, it wouldn’t be a very humorous person. It could occasionally crack a decent joke and grind out a half-genuine smile, but overall it would be far too in love with its own voice and its mirror image to bother with something as basic and revealing as humour.
Which is not to say
that Breathe In isn’t a fine film. It
is. It’s so fine it hurts. Precise acting, gorgeous camera work and a very
stylish, dream-like world that almost threatens to choke on its own solemnity.
In this world Keith Reynolds (expertly played
by Guy Pearce), a disillusioned piano teacher with a lovely wife and an equally
lovely daughter, hosts an exchange student from Britain in his beautiful house
not far from New York. The girl is played by Felicity Jones with all the unspoken
desire and shy allure that this role needs. The passion sparkled is decidedly
understated (there’s always music, of course), but Sophie’s impact on this
American family is not. It’s through a few clichés and rather predictable plot
twists that we reach the end, but the film gets by through style, acting and perfect
execution.
Breathe In is ultimately an art for art’s sake experience.
Calculated, worthy, mildly intriguing and, sadly, rather low on guts. But then
the crisis it’s describing is a delicate matter, and it’s always hard to decide
what to touch and when to lay off. American
Beauty went over the top with it, Breathe
In forgot to tell you a joke lest it should be in bad taste.
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