Highlights: Back To The Flood, Baby Closes The
Door, Reach You On The Phone
7/10
Oddly enough, I first misspelled the title as Grassed In. Would have been a nice idea.
Too bad they went for something so dull and decorative. Grassed In describes the album’s sound perfectly. I don’t know how,
but it does.
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Overall, what we are talking about here is psyched-up
rock music of very intense variety. The whole thing is definitely melodic, but
also messy and never too subtle. Noisy grooves are based on catchy guitar lines
(the opening “Back To The Flood”) and charismatic songwriting (“Baby Closes The
Door” is so cool you will want to chain-smoke into the passing faces) and go on
for five minutes (on average). Sometimes they go nowhere (“Even The Score”,
though typical, fails to engage), but usually it works. Take the closing “Reach
You On The Phone”, for instance, which is addictive and is filled with that
youthful desperation we can all recognise.
Lumpy groovy, as Frank Zappa once (almost) put it. By
the end of it, you will feel positively grassed in. And you will know exactly what I’m talking about.
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