Highlights: Neil Armstrong, Capricornia, Europe, Northern Lights
There was much praise of
Allo Darlin’s self-titled debut released in 2010. However, it was also evident
that much of this praise was made up of stuff like “well, there’s nothing wrong
with this pretty collection of pop tunes” or “not a bad way to spend your
Friday night”. That’s rather telling actually – this must be what worthy,
pleasant-sounding, anaemic twee pop does to you. Don’t get me wrong, Allo Darlin’ the album was a nice little
thing (however, “Woody Allen” doesn’t have much of a melody, does it) – whose wild praise can only be explained by the
existence of people easily excited by a sweet-looking, sweet-sounding girl
singing about kissing someone’s salty lips.
So what about this
follow-up album? For some random reason, Europe
has really done it for me. The songs sound gutsier, catchier, more self-assured
– admittedly not by much, but there’s no question that the three opening songs
can beat anything on their debut. Three glorious pop creations that don’t even
make you ask yourself whether this is twee pop or not.
And twee pop it is, of
course. Sound-wise, Allo Darlin’ haven’t changed. Pleasant, non-threatening
guitars (occasionally quite jangly), ukulele, some violin. What’s not to like?
Particularly when Elizabeth Morris’ voice is as heart and soul melting as it
was two years ago. Actually, if there’s a more or less clear-cut difference between
this album and its predecessor, it’s the absence of male vocals. Not something
I welcome (nothing wrong with Elizabeth’s singing – but that brought some
much-needed diversity), but I do of course welcome the melodies and the guys’
consistency. Speaking of the former, it’s just one summary gem after another.
The first side is pretty much perfect, with “Capricornia” reaching the melodic
heights not even “My Heart Is A Drummer” could. While a little less inspired
(or is it just tiredness creeping in?..), the second side offers more of the
same – the stripped-down “Tallulah” a possible nod to The Go-Betweens.
In terms of quality, Europe shows Allo Darlin’ getting ever
so closer to the genre’s greats, like Field Mice and B&S. As for
girl-fronted ones – well, I don’t know. Dolly Mixture have absolutely nothing
on Morris and co. Brilliant feel-good, hook-filled way to spend your next
Friday night. And, for that matter, the whole weekend.
8/10
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