Highlights: Offspring Are Blank, Gun Has No Trigger, Swing Lo
Magellan, Unto Caesar
Since 2009’s acclaimed Bitte Orca bored me much too quickly, I
wasn’t investing any serious hope into Dirty Projector’s new one. In fact, I
would have gladly passed it by were it not for a totally accidental listen to “Gun
Has No Trigger”, which is the sort of track that will be growing on you right
till you succumb to its sheer brilliance. Sadly, the same does not hold true
for the whole thing, but further listens do reveal something close to a Dirty
Projectors’ most satisfying album to date.
There’s no such thing as
a first listen to this band’s albums. The first listen to Swing Lo Magellan is supposed to be frustrating and complicated.
Erratic, edgy song structures, absolute sonic uneasiness. All very artsy, to
the point where you would want to snort contemptuously: do they have to keep
doing it (changing tunes, switching tempos) simply because they can’t come up
with one great fucking melody?..
However hard you may
try, you probably won’t be able to answer that question. As for general
appreciation, I’m afraid the key to that would be to try to get into the groove
of their fidgety, jittery songcraft. In fact, this stuff, though offputtingly unbalanced
on occasion, is incredibly well-written and meticulously arranged. The opening “Offspring
Are Blank” changes its moods quite drastically, but both flashy, ferocious
guitar solos and soulful mellowness work perfectly. There’s a stretch of rather
uncharismatic songs after the title track, but quieter, more ballad-oriented
stuff like “Impregnable Question” or the strings-laden “See What She Seeing”
are as impressive and inventive as you would expect from these guys.
Swing Lo Magellan is filled with what I would call random (could be
incidental) greatness. But greatness nonetheless. It is your ultimate grower.
Interestingly, the moment it ceases to grow on you – the charm is almost
entirely gone. But then it’s not the sort of record you would wish to hear too
often.
7/10
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