Highlights: Girl Of The Year, The Summer I Met You, The Last Song
Two feelings at work
here. One: The End Of The Pier sees The
Distractions doing the absolute best they can. Two: however ridiculously
consistent, well thought out and well-written this album may be, the
songwriting just never threatens to raise them above ‘well, another good band
from Manchester’. Lovely melodies, decent hooks, pleasant vibes. It is just
that the excitement is way too measured and moderate.
You can imagine them
coming to the studio 32 years after their previous (and debut) album, Nobody’s Perfect, with a clear intention
of recording 10 perfect Distractions songs. No filler. And the interesting
thing is – they succeed. They achieve that. It is just that you wanted more.
In some way, this record
reminds me of Whipping Boy (particularly their eponymous, posthumously released
third) – the main difference being the lack of that sweeping emotional edge the
Irish band was so good at. But while this is a lot more placid and understated,
eventually slow-burning tracks like “Too Late To Change” or “When It Was Mine”
will charm you with their soft and pretty guitar lines and gentle, unobtrusive
vocal melodies. Some of it may be more immediate, like the masterful pop-rocker
“The Summer I Met You” (nice bass line!), but overall it is all quite mellow. The
sad, quietly desperate “The Last Song” sounds like a fitting closer.
In the end, The End Of The Pier leaves a very pleasant aftertaste.
There’s no getting away from it: it’s a very good album. And way too good to be
great.
7/10
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