Highlights: After Eliot, The Lady Is Risen, Einstein’s Idea,
Bottom Of The Sea Blues
Like I’ve mentioned a
hundred times already, if after listening to Johnny Flynn’s 2008 debut A Larum you still want to hear Laura
Marling or, Heaven forbid, … & … (I hope not), you should take a really
hard look at yourself. Somewhere along the way you may have taken a wrong turn.
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A deep sigh of relief
here: Johnny Flynn of A Larum is
back. I can forgive him the slightly weaker songs, I can forgive him a couple
of misfires: the main thing is that we’re back to that poetic, lost-busker-with-an-edge
vibe that made him so good 5 years ago. And the drop in songwriting is in fact
not too significant. True, the title track has so far failed to engage me (it’s
okay – if not quite there), but a
song like “The Lady Is Risen” is an absolute knockout. It would have been
brilliant as a simple, swiftly fingerpicked folk tale, but that swirling organ
just brings it to a whole new level. All through Country Mile, Johnny does them catchy and playful
(“Fol-de-rol”) and pleasantly meandering
(“Einstein’s Idea” could easily go on for another 6 minutes without me uttering
one complaint). The man just feels so comfortable; and sounds that, too.
So thankfully – Johnny
Flynn is back to his poetic, romantic, whimsical best. Country Mile is the true follow-up to A Larum. And the way he breaks into that fluent section towards the
end of “Bottom Of The Sea Blues”? Amazing. If you are still, inexplicably,
stuck with Laura Marling or, Heaven forbid, … & … (I hope not), please
reconsider. And do get a copy of Johnny Flynn’s new album. It’s really bloody
good.
8/10
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