Highlights: About Farewell, Nothing I Can Do, I Thought I Knew,
Hazel Street, Rose & Thorn
My first reaction after
listening to this album: ‘is it even possible for a contemporary folk artist
to record an album this good?’ There’s so much depth, beauty, style to this. An
album that sounds timeless from day one. Timelessness that is not
just felt in a sad guitar line or Alela’s vocal intonation or even one whole
song. It inhabits this album naturally, and never leaves it for one second.
Personality in a modern
folk album, not something we’ve gotten used to – with all these hoards of
washed out folkies hidden behind beards and poor melodies. Misguided,
vulnerable souls – some even try pretentiousness. But perhaps the word ‘modern’
is a wrong one. After all, the only thing 'modern' about Alela Diane’s new album
(her fifth) is the year of its release. With its stylishly faded vibe (I hope I’m
not making it sound like a stylized album – nothing of the kind), haunting
backing vocals and cozily autumnal melodies, About Farewell is an album that belongs to a different time. All
the more charming to have it for ourselves now, in 2013, when folk music has
long gone beyond self-parody. In fact, I’m more than happy to consider it our
very own Just Another Diamond Day.
Needless to say, this album has just as much commercial potential.
About Farewell has one consistent feel but there’s enough melodic and
instrumental variation to make these 34 minutes among the most intriguing and unjustly brief of this music year. There are piano notes falling down like drops of rain during
“Nothing I Can Do” (one of the coolest middle-eights in recent memory), there’s
that classic electric guitar line in “About Farewell”, there’s hazy
orchestration in the seductively fleeting “I Thought I Knew”, etc.
But most importantly – there’s
an intriguing mystery to this album, something only the best artists can do.
9/10
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