A few others that were good but maybe not always too good.
Ben Watt – Hendra
This is something of
a special album for me this year even if I hardly have time to relisten to it
that much. The melancholic, depressing, eerily beautiful and lyrically uncomfortable
title track is a song of the year. A few others, like the cheerlessly upbeat “Forget”
or “Matthew Arnold Field” are good too, but sometimes Ben Watt shows more
subtlety than substance. 7/10
Basically, Thurston Moore
doing his thing. The best part is that this time around he chose to put a
bigger emphasis on the melody. Two opening guitar epics are hypnotic and
well-written, and sparkles of brilliance are all over this thing. Moore knows
he is a limited songwriter, but equally he knows how to present himself. “Forevermore”
is one of the greatest things he has ever done. 8/10
The Amazing Snakeheads – Amphetamine Ballads
This is one hell of a
combination of band name, album title and record sleeve. Everything matches the music perfectly. Rip-roaring,
free-floating, screaming rock music with good riffs and heaps of attitude. For
those who want to get mad late at night (preferably – very late). Bluesy,
swampy and menacing. 7/10
Fire! Orchestra – Enter
Swedish band whose genre (according to certain websites) goes as follows: experimental big band. Deeply imaginative, inventive music that masterfully shifts from seductive sax-led grooves to charismatic noise freak-outs. Unfortunately, they had to spoil all the fun with those torturous vocals at the beginning of track 3, but overall lots of well-honed improvisation people with taste should appreciate. 8/10
Vashti Bunyan – Heartleap
Vashti Bunyan is of
course a legend. Part of the legend can be attributed to the fact that she has
recorded very little. But consider the quality. Her first album Just Another Diamond Day and gems like “Train
Song” should be enough to convince anyone. Heartleap
is a slow, monotonous and incredibly nuanced folk record. And one of those
genuinely good things that can perhaps make you a better person. 7/10
Parquet Courts – Sunbathing
Animals
To be completely
honest, the first time I heard this album – I thought Sunbathing Animals would grow on me. I thought Parquet Courts were
doing the right thing trying to slow things down and go for addictive mid-tempo
grooves. Sadly, though, the album wore thin too quickly. Good album, entertaining
in places (“Vienna II”, for instance, is wonderfully Fall-esque), but should
have been more. Weak 7/10
From cathartic to atonal. Selflessly experimental. Never an easy listen, and a palpable tune is not to last. Impossible to describe, difficult to listen, incredible to take in, irresistible in its genuine, authentic weirdness. However, let me tell you this. “Lament 3. Pater Peccavi” is the most beautiful thing I’ve heard all year. 8/10
James Yorkston – The Cellardyke Recording &
Wassailing Society
Altogether less
immediate than James’ brilliant previous album, I Was A Cat From A Book (whose “Border Song” is still in my heavy
rotation), The Cellardyke takes time
and patience. The folksy melodies are certainly charming but slightly
meandering and will require your fullest attention. In the end you will be
converted. Because nobody can deny something as gorgeous as “Red Fox” or "Great Ghosts". 7/10
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