Highlights: Give My Love To London, True Lies, Late Victorian Holocaust, Deep Water, Mother Wolf
9/10
Either my
expectations have gone to the fucking dogs or this is Marianne Faithfull’s
greatest album and, as such, one of the best albums of 2014. Here’s the idea.
This is not an album of Mick Jagger’s ex-girlfriend. This is an album of
someone who co-wrote “Sister Morphine”.
Over the course of
these exceptional 11 songs Marianne barely puts one foot wrong. The songs are
excellent and while her voice is on a clear Dylanesque trajectory (she does
sound a lot like him on the title track), the performances are stylish and affecting.
As expected, she does a few covers (Leonard Cohen’s “Going Home” is just so
effortlessly brilliant), but most of these songs were co-written by Marianne
herself. There are collaborations with Nick Cave (wistful “Deep Water”), Steve
Earle (bouncy “Give My Love To London”), Anna Calvi (glorious “Falling Back”),
and each time we have a songwriting/performing masterclass.
The two standouts are
Cave’s “Late Victorian Holocaust” (the haunting violin, the quietly pounding
piano), which comes close to the emotional devastation once conjured up by Alex
Chilton, and the dramatic and slightly unsettling “Mother Wolf” with this album’s
most edgy lyrics.
Backing musicians: Warren
Ellis, Mick Jones, Rob Ellis… You are in good hands. So what can you say really.
Impeccable stuff. All style and great songwriting. Give My Love To London is a top ten record for 2014, easily.
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